This Wednesday, July 4th, I’m proud to be releasing my new album with Paul Pinto, seven years in the making. It’s called Jeff Young and Paul Pinto, Patriots, Run for Public Office on a Platform of Swift and Righteous Immigration Reform, Lots of Jobs, and a Healthy Environment: an Opera by Paul Pinto and Jeffrey Young, available online from Gold Bolus Recordings with an accompanying set of commemorative political buttons. We’ll perform an album release show in Brooklyn on the 4th, then set off on a marathon tour to Texas and back. Details below!

One of our four commemorative buttons, designed by Paul Pinto.

Paul and I created our elaborately titled piece – which we refer to as …Patriots… for short – in 2011 as a parody of contemporary politics and politicians. We talk a lot about building walls in the piece, but this was a piece made squarely in the Obama era. Listening back, it’s an unsettling reminder that today’s turbulent conversations around immigration and national identity sometimes differ more in style than substance from what came before.

We had touring in mind from the start, designing a set out of cardboard boxes that easily fold up in the back of a car. We wanted to make sure we wouldn’t get bored of the piece, so we created room for improvisation: the question and answer sections of the piece are different every night. For a while we wondered if this ever-changing, theatrical piece would work in fixed, audio-only form, but eventually we found adaptations to bring it into the other medium. If you’ve seen it live, check out the recording, and vice versa – they’re different!

We’ll launch our album into the world with a 6pm hometown show on July 4th at cozy Williamsburg experimental venue Wonders of Nature. You can get in for just $7 by buying our album online in advance, or for $10 at the door. We’re sharing the bill with our fellow thingNYers, who will improvise with intrepid instrument-builder Dirk Johan Stromberg, visiting all the way from Singapore. There will be a solo set by Gelsey Bell, and a duo vocal set by Bonnie Lander and Kayleigh Butcher. We’re very pleased that Bonnie will also be joining us for the whole second half of our tour, performing solo works by Giacinto Scelsi, Kurt Schwitters, and others. After the show ends around 9pm, we’ll walk two blocks from the venue to the East River to watch the fireworks.
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Our nearly monthlong tour includes stops at two festivals devoted to new and experimental music, Omaha Under The Radar in Omaha, Nebraska, and NMASS (New Media Art and Sound Summit) in Austin, Texas. The women who run them, Amanda DeBoer Bartlett and Henna Chou respectively, are total badasses. I’ve been wanting to play at their festivals for years. At Omaha Under the Radar, in addition to ​…Patriots…, we’ll be playing in George Lewis’s emergent classic Artificial Life 2007/2017, and I’ll perform a solo violin and laptop set to kick off the festival. It should be a blast!

Along the way, we’ll stop in Harrisburg, Columbus, Cincinnati, St. Louis, Kansas City, Wichita, Norman, Dallas, Houston, San Antonio, Tulsa, Iowa City, Chicago, Cleveland, Pittsburgh, and Phoenixville (PA). I did most of the booking for this tour, and it’s been really gratifying connecting with awesome folks I already knew in these cities as well as making new friends. We’ve made an effort to share bills with as many women and people of color as possible, and I look forward to getting to see their work.

After the tour, I head for a few days to my family reunion, then I’m hanging out in Boston for the foreseeable future. Get at me with your creative projects, Bostonians…I’m excited to really become part of the local scene!

Trying to get into video games and just enjoyed this one,
Jeff

May is new opera month! This weekend and next, I’m playing with Rhymes With Opera in Rumpelstiltskin, a new opera by Ruby Fulton and George Lam. Also this weekend, I’ll play Brooklyn Bowl for the first time with the World/Inferno Friendship Society. Next Tuesday, I join countertenor Juecheng Chen on violin and electronics for his program of improvised opera. At the end of May, thingNY presents the world premiere of Passover, our commission from composer/writer Rick Burkhardt, in Philadelphia, Washington D.C., Boston, and Brooklyn. Read on for more!

Improvising at XFest Massachusetts, photo by Sam Gunnell

Last year, I performed in Rhymes With Opera’s production of Bonnie Lander’s Coping Mechanisms, an improvised opera. This year, they’ve invited me back for a very different piece, composed in honor of their 10th season. The musical style of Rumpelstiltskin, based on the classic fable, is more traditionally operatic, but the story adaptation and staging are full of campy, postmodern twists. Unusually, this opera was jointly composed by RWO co-artistic directors Ruby Fulton and George Lam. It’s fun and kooky, plus the orchestra gets a dance number. Please come let us entertain you!

I’m looking forward to playing at Brooklyn Bowl for the first time with World/Inferno this Sunday. It’s a very cool venue, and the band continues to evolve – we’ll have a new drummer at this show. Come cheer him on, and bowl some strikes while you’re at it!

Sometimes these sites are not your typical drug dealer looking for effective ways to use technology, but instead are set up by ex-pharmacists or doctors online viagra store working under the radar for some extra cash. Females generally suffer with depression and they start feeling that they are not good enough as males. buy tadalafil cipla We from time to time due to the daily routine orden viagra viagra life of any person. If you go through the statistics, then you will get confronted with the fact that there are no restrictions placed by the government on the rates best online viagra at which medications can be sold unlike other developed countries. On Tuesday the 22nd, I’m trying out a new collaboration with “conceptual countertenor” Juecheng Chen, who I first saw perform last year in an amazing set at Home Audio in my Brooklyn apartment. I’ll be joining him on violin and Ableton Live, in a semi-improvised operatic performance that Juecheng has dubbed Sudden aggression. We’d love to have you there, and to get your feedback afterwards!

Finally this month, thingNY hits the road with the world premiere of Rick Burkhardt’s Passover, a performance-ritual for six singing/speaking performers at a dinner table on which lies a double bass. In our over ten years together, this is the first time we’ve commissioned a composer outside the group to create a concert-length piece for us, which reflects the fact that Rick’s style is well suited to what we do. In the piece, we take turns telling stories while playing our instruments and being accompanied by the other group members. The ultimate effect can be quite moving, and we really hope you’ll come to a show: in Philly, in the beautiful new Philadelphia Folk Society space, in D.C., at homey Rhizome presented by Sonic Circuits, in Boston, at a free concert with snacks provided courtesy of Fort Point Theatre Channel, or in Brooklyn at venerable new music institution Roulette, where thingNY will join Varispeed to perform Kenneth Gaburo’s Maledetto for virtuoso speakers. Thanks to Chamber Music America for generously funding the commission!

Further ahead, I’m happy to say that booking of mine and Paul Pinto’s …Patriots… album release tour this July is going well! We’ve confirmed the majority of dates on our tour, but we’re still looking for shows in Columbus (OH), Cincinnati (or Louisville), Lawrence (KS), Kansas City, and Cleveland (or Toledo). Let us know if you know someone who could help us out!

Enjoy the radiooooooooooooooo,
Jeff

I’m back in Switzerland after two fantastic shows at the Luxembourg Philharmonie to launch Lucerne Festival Young Performance’s tour of NOMOZART. Last night we played in Bern, and we have four more shows in Switzerland, in Zürich, Zug, Verscio, and St. Gallen. Then I’ll fly to Graz, Austria to create a piece with four other performers. Read on for more!

Poster for NOMOZART by Komplizen Agentur für Werbung

The NOMOZART tour has gotten off to a great start! It was cool to get to see Luxembourg for the first time and to perform in the beautiful Philharmonie. If you’re around Switzerland, we hope you’ll come out for our 45-minute music and movement show for young audiences, which I spent much of the past year developing in Switzerland, and of which we are all very proud!

On the 18th, I leave Switzerland for Graz, Austria to spend five days developing a work with two alumni of the LUCERNE FESTIVAL ACADEMY (including a fellow NOMOZART member) and two other local musicians. Our project is tentatively entitled Switching Tongues, and its theme is the switch that occurs in the minds of multilingual people when they move between languages. We’re planning a work showing on Saturday, March 23. If you or anyone you know in Graz might be interested, get in touch and I’ll send details of how to attend!
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After a few days exploring Slovenia (send me recommendations of what to see or who to meet!), I head back to Boston for a week before flying to Chicago for three days performing and leading workshops at a conference dedicated to Creative Ability Development, the method my first violin teacher, Alice Kanack, devised to teach kids how to improvise. I’ll play some of my solo music for violin and Ableton Live, and I’ll lead workshops in extending your instrument with Ableton Live and in creating performance pieces collaboratively. I’ll also participate in a teacher training there to learn how to teach with Alice’s method. If you’re around Chicago and teach music to kids, please consider signing up for the conference!

Further down the line, save the date for my performances in New York with Rhymes With Opera of the world premiere of Rumpelstiltskin, a new opera by Ruby Fulton and George Lam, as well as for a show with The World/Inferno Friendship Society at Brooklyn Bowl, a regional tour with thingNY of our commission of composer Rick Burkhardt, and this summer, an album release tour of mine and Paul Pinto’s opera that includes stops at festivals in Texas and Nebraska!

I am not a sad bumpy frog but I love them,
Jeff

After spending early January settling into my new home in Boston, I’m back in Brooklyn to play music of Frank Zappa and others with LUCERNE FESTIVAL ALUMNI tonight and tomorrow at Roulette! Check out the preview in the New Yorker. Next week I start a nearly two-week tour with the World/Inferno Friendship Society from Texas back to New York. And at the end of February I return to Europe for a month in Switzerland, Luxembourg, Austria, and Slovenia. Details below!

With the World/Inferno Friendship Society backstage at Hallowmas

The concerts tonight and tomorrow at Roulette are the second big venture by LUCERNE FESTIVAL ALUMNI in New York, after 2016’s concerts at the Met Museum for the NY Phil Biennial. We’ll play two different programs that include the classical music Frank Zappa wrote later in life, from his albums The Yellow Shark and Boulez Conducts Zappa: The Perfect Stranger. Tonight’s program also includes the US premiere of Austrian composer Olga Neuwirth‘s Eleanor for blues singer, drum kit, ensemble, and prerecorded samples, and tomorrow’s includes music of Pierre Boulez, Edgard Varèse, John Zorn, and Tyshawn Sorey (who will also be playing drums on Eleanor). The ensemble includes local players and those who live elsewhere in the US, Europe, and as far away as Hong Kong; all are alumni of the LUCERNE FESTIVAL ACADEMY in Switzerland. We’re led by conductor Matthias Pintscher, the principal conductor at the Academy but better known for some of his other gigs: lead conductor of the Ensemble Intercontemporain in Paris, inaugural resident composer at the Elbphilharmonie in Hamburg, forthcoming director of the Ojai Music Festival, and much more. Come support a truly international endeavor!

On Tuesday, after a quick trip back to Boston, I head off on a World/Inferno tour that brings our blend of punk, cabaret, and WTF to mosh pits in Houston, San Antonio, Austin, New Orleans, Birmingham, Atlanta, Chapel Hill, Richmond, Baltimore, Philadelphia, and Jersey City. The band’s tour actually starts tonight, but I’m joining a few days late. While I’m sorry to miss Key West, I’m looking forward to seeing friends along the rest of the route. Please come check it out!

Looking ahead, I’ll be making a my first appearance in Boston as a local artist on February 23 at the annual XFest improvisation festival, which takes place this year in Dorchester (a neighborhood of Boston). Improvisers will come from all over New England and beyond to be placed into groups, often with strangers, to create a performance on the spot! If you get a thrill from watching spontaneous creation, be sure to stop by…

Then at the end of February, I fly back to Europe for the final production phase (for now) of LUCERNE FESTIVAL Young Performance’s NOMOZART, the 50-minute long music and movement performance for young audiences that I spent much of the past year developing in Switzerland. (In case you missed the nicely produced trailer for the piece a few months ago, see it here.) Our group of six performers will tour to Luxembourg and to six cities of Switzerland, and then I’ll head to Graz, Austria to spend five days developing yet another collaboratively created work with two alumni of the LUCERNE FESTIVAL ACADEMY (including a fellow NOMOZART member). Finally, I’ll spend a couple days seeing the sights in Slovenia – let me know what I should check out!

Looking even further ahead, in April I’m playing at a conference organized by my childhood violin and improvisation teacher Alice Kanack near Chicago, in May I’m both playing in a new opera with Rhymes with Opera and premiering a new piece with thingNY, and in July I’ll head out to Omaha Under the Radar festival in Nebraska with Paul Pinto to perform our duo comedic experimental political opera “Patriots.” We’re also planning to organize a tour around the festival. Let me know if I should stop by your city…if I haven’t come your way in the first three months of the year, I hope I’ll pass by in the next three!

Carrot Sticks,
Jeff

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After six weeks in Barcelona, Zurich, Lucerne, Frankfurt, Prague, Shanghai, Guangdong Province, Hong Kong, and Boston, I got back home a couple weeks ago and went immediately into the premiere run of Daniel Fay and Andrew Livingston’s Point Pleasant, The Legend of the Mothman, co-produced with thingNY at HERE Arts Center from October 5-21. We’ve had eight shows so far, nine more to come! Next is World/Inferno’s 20th annual Hallowmas on October 31, then I’m playing in another thingNY co-production at HERE from November 6-18, Paul Pinto’s Thomas Paine in Violence. November ends with another trip to Europe for concerts with the LUCERNE FESTIVAL ALUMNI Orchestra and Swiss band Hildegard Lernt Fliegen in Hamburg, Essen, Lucerne, and Bern. Read on!

Performing solo in Frankfurt last month at ATERLIERFRANKFURT

Before I get to upcoming shows, I wanted to share two videos of recent ones. First, if you didn’t see the premiere of Lucerne Festival Young Performance‘s NOMOZART, you can still watch it online here! Second, here are clips of the concert I organized in Frankfurt. I’m proud of both shows and hope to keep doing this kind of collaborative staged work going forward.

After workshopping Point Pleasant, the Legend of the Mothman at St. Ann’s Warehouse in Brooklyn and Figurteatret i Nordland in Norway, the puppet show has come to HERE Arts Center in the heart of New York. All music and electronic sound in the show is by Andrew Livingston of thingNY, and he and I are the sole live musicians. A highlight of the show is the use of bunraku puppetry, in which two or three puppeteers manipulate each two-to-three-foot-tall puppet. The story is based on eyewitness accounts of eerie events in Point Pleasant, West Virginia in the late ’60s, including sightings of the Mothman, UFOs, and more. It’s perfect for the month of Halloween!

Perfect for the day of Halloween is World/Inferno’s 20th annual Hallowmas! Please come join the mosh pit (or just watch) in the fabulous, ornate hall at Warsaw at the Polish National Home in Greenpoint. It’s my third year playing this fun, high-energy blast of a cabaret-inflected punk show, and like last year, Daniel Fay will make an appearance with a team of puppeteers…maybe some of the puppets from Point Pleasant will show up! Also, alt-country band O’Death and the Lowdown Brass Band will be opening for us this year…it’s gonna be a banner night.
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November’s gonna be a banner month, starting with the premiere run of Paul Pinto’s Thomas Paine in Violence at HERE. Paul’s been a HERE Artist in Residence for three years developing this piece, and now it is coming to life in a fully staged production directed by Rick Burkhardt and starring renowned avant-garde vocalist Joan La Barbara as the spirit of Thomas Paine, set amid a whirlwind of lightning-quick singing, autotuned shock-jockery, gadgets, voices, instruments, and sonic chaos. There’s tons of cursing, so don’t bring the kids…though they’d have a great time if you did!

I had a great time playing in the Orchestra of the LUCERNE FESTIVAL ALUMNI with Swiss band Hildegard Lernt Fliegen in May, when we performed in Basel and Schaffhausen, Switzerland. In November, we’re playing in Hamburg at the spectacular new Elbphilharmonie, at Philharmonie Essen, in the KKL Luzern as part of the Lucerne Piano Festival, and at Dampfzentrale Bern. The Elbphilharmonie concert is sold out, but tickets are available for the other dates. The vocal acrobatics of Hildegard’s lead singer Andreas Schaerer are not to be missed. Plus, for those who have seen the concert before, he’s writing a new piece for this tour. Come if you can!

Further ahead, keep an eye out for another Rockwood Music Hall show with Bill Steely in December, the tour of NOMOZART in Luxembourg and Switzerland in March, a new opera with Rhymes With Opera in May, and much more…

Long Live the Mighty Tree Lobster!
Jeff

The last two months have been an absolute whirlwind. I had two awesome projects with thingNY in New York and great mini-tours with The World/Inferno Friendship Society and Valerie Kuehne and the Wasps Nests, lost my violin on a train and miraculously got it back, hosted and performed at Home Audio, vacationed in Barcelona and Zurich, then spent two weeks in Lucerne putting the final touches on NOMOZART, the exhilarating music and movement show I’ve been developing with LUCERNE FESTIVAL – Young Performance that premieres this Sunday. But it doesn’t stop there – next week I travel to Frankfurt to perform a new project, then to Prague for an improv concert, and finally to China for ten days with my family, including my first visit to the village where my grandfather was born. In October, I’m back in New York for the three-week run of Daniel Fay and Andrew Livingston’s puppet show Point Pleasant, The Legend of the Mothman. Details below!

Taking bows at a preview show of NOMOZART for school classes in Lucerne!

Since March, I’ve had three trips to Switzerland to develop a 55-minute music and movement show for preteens called NOMOZART, premiering this Sunday, September 10th at 11am and 3pm at the LUCERNE FESTIVAL. In the show, we explore the theme of “identity” by playing a wide range of music from classical to disco to Balkan to swing to a modern piece by me – and we dance as well. Plus I get to use my violin as a tennis racket! Besides me, there’s a bassist from Texas, a trombonist from Canada, a harpist from France, a violinist from Poland, and a percussionist from Spain, all alumni of the LUCERNE FESTIVAL ACADEMY, directed by Egyptian choreographer Maged Mohamed, a former company member of the Bavarian State Ballet Munich. Watch the excellent trailer for the show here. The 11am (5am Eastern) show on Sunday will be streamed live on Facebook here, and I believe that link will stay active for a few days afterward. If you’re in Switzerland, hurry and get a ticket for the 3pm show, as the 11am show is sold out. It’s been a very inspiring show to create, and I hope you’ll check it out in some way!

On Monday I travel to Frankfurt for four days developing a short, brand-new staged music piece with trombonist Berk Schneider of Mobile Beats Ensemble. We’ll perform the result next Thursday at ATELIERFRANKFURT in a show we’re calling “Musik aus einem wissenschaftlichen Abend” (Music from a Scientific Evening) that will also include some of my solo music for violin and electronics, Berk’s arrangements for violin, trombone, and electronics of songs from Schubert’s Winterreise, and pieces organized by Mobile Beats’ sound director Lennart Scheuren including Steve Reich’s Pendulum Music. Frankfurters, come out!

Next Friday I go to Prague for a couple days of sightseeing followed by a concert of improvisations on Sunday, September 17 at Skautský institut with my old flutist friend Andrea La Rose (formerly of thingNY) and new acquaintance Darrell Jonsson, who will be joining us on a Moog MG-1 synth. I’m looking forward to an evening of surprises!

After my trip to China and a brief stop in Boston, I arrive back in New York on October 1 and go directly into rehearsals for Point Pleasant, The Legend of the Mothman. This is the puppet show I initially helped workshop at St. Ann’s Warehouse in Brooklyn and further developed at Figurteatret i Nordland in northern Norway last year, now getting its premiere run in New York at HERE Arts Center. The music in the show is by my longstanding collaborator in thingNY, Andrew Livingston, and he and I are the sole musicians performing. The show includes a mix of bunraku puppetry, live video feed of figures moving on model landscapes, and filmed sequences. The story is based on eyewitness accounts of eerie events in Point Pleasant, West Virginia in the late ’60s, including sightings of a large winged man with glowing red eyes and other paranormal occurrences. There are 17 performances in all, please come to one!

Looking further ahead, the 20th anniversary of The World/Inferno Friendship Society’s annual Hallowmas show this Halloween should be pretty awesome. In November I return to HERE Arts Center for the world premiere run of Paul Pinto’s Thomas Paine in Violence, starring renowned avant-garde vocalist Joan La Barbara. Later that month, I’m back in Germany and Switzerland for my second set of shows with the Orchestra of the LUCERNE FESTIVAL ALUMNI accompanying Swiss band Hildegard Lernt Fliegen, including a concert in the stunning new Elbphilharmonie in Hamburg. And plenty of plans for 2018 are under way, including a NOMOZART tour in March to Luxembourg and several cities in Switzerland!

Chügelipastete,
Jeff

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My summer is kicking into high gear! Over the next two months, I have two thingNY projects in New York, regional tours with The World/Inferno Friendship Society and Valerie Kuehne and the Wasps Nests, the premiere at the LUCERNE FESTIVAL of NOMOZART, the show for children I’ve been developing in Switzerland since March, and more! Read on for details.

thingNY as Pandas. If you like this, come today to our installation for more!

thingNY’s first big project of the summer wraps up today at Harvestworks. It’s been a very interesting one for us, our first collaborative project where we’re not performing. Instead, via motion-sensing electronics, you control what you hear from eight speakers around you by playing with boxes on the floor and sliding balls of paper along strings that crisscross the room. Plus, out of an extensive collection of memorabilia from our decade together, we’ve fabricated a space for this sonic experience resembling the insides of our brains. If you’re free today from 4-7pm, please drop by and check it out!

Next week is thick with shows. After a return to Rockwood Music Hall with folk rocker Bill Steely and band on Tuesday, I head off on a four-day tour across Pennsylvania with Valerie Kuehne and the Wasps Nests, playing Pittsburgh – where we open for Lydia Lunch – Harrisburg, and Philly before landing back in Brooklyn at the new location of Spectrum by the Navy Yard. PA and NY friends, come see the new songs we’ve been cooking up!

The two weeks after that are a juggling act of dashing back and forth between shows in Brooklyn, Boston, Philly, and Baltimore with the World/Inferno Friendship Society – my first shows with this mischievous band of cabaret-punk ruffians since Halloween – and thingNY’s second big project of the summer, a two-week collaboration with Orange Theatre on Governor’s Island, which began last year when Paul Pinto and I traveled to their home base in Phoenix on a NET/TEN Travel Grant. We’ll be continuing that work with the aim of devising a new piece of music-theatre centering around memory and maps, a surreal book of coordinates, click bait, tangents, and a fresh take on the classic American road trip. Get in touch if you’d like to attend the Monday afternoon work-in-progress showing on the island that caps our residency!

Finally, after a bit of European travel, I land back in Switzerland at the end of August for the final rehearsals and premiere of NOMOZART, the 50-minute long performance for preteens I’ve been developing in Lucerne since March. The premiere will be on September 10th at the Lucerne Festival in the fabulous KKL Luzern. If you’re anywhere nearby, I’d love to share this with you!

Lots more projects are coming down the pike after that, including a few soon-to-be-announced globetrotting performances right after the NOMOZART premiere, the New York premiere run in October of the puppet piece by Daniel Fay and Andrew Livingston I worked on last year in Norway, the world premiere run in New York this November of Paul Pinto’s Thomas Paine in Violence, and also in November, another tour with Swiss über-jazz band Hildegard Lernt Fliegen and the Orchestra of LUCERNE FESTIVAL ALUMNI in Germany and Switzerland, including an already sold-out performance in Hamburg’s shiny new Elbphilharmonie. Stay tuned!

Every apple you’ve ever bought in the supermarket is a clone,
Jeff

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I’ve just arrived in Basel to perform tonight with the Orchestra of LUCERNE FESTIVAL ALUMNI and Swiss “über-jazz” group Hildegard Lernt Fliegen. We’ll also play in Schaffhausen, Switzerland this Wednesday, then next week I’ll play in the New York premiere of Bonnie Lander’s experimental opera Coping Mechanisms, presented by Rhymes with Opera. Details below!

Photographed by Kirk Marsh in San Antonio during Valerie Kuehne and the Wasps Nests‘ monthlong tour from January to February.

I’m in Switzerland a lot this year. I was here for a couple weeks from late March to mid-April working on a new project with LUCERNE FESTIVAL Young Performance, in which choreographer Maged Mohammed is directing myself and five other musicians to develop an hourlong performance of music and movement for preteens. I’ll be back to work on that project for two weeks in June and again from late August until the premiere in Lucerne on 10 September, as well as for a tour in March 2018. But right now I’m here for a different project, playing in an orchestra of alumni of the LUCERNE FESTIVAL ACADEMY. We’re joining forces with Hildegard Lernt Fliegen, a well-known Swiss group of six jazz musicians led by the Echo Jazz Award-winning vocal acrobat Andreas Schaerer, who composed and orchestrated the six pieces we’re playing expressly for this collaboration. It’s exciting, groovy music – catch a short preview video here. Hope to see some friends tonight at Offbeat Jazzfestival Basel, as well as this Wednesday at the Schaffhauser Jazzfestival! I’ll return for more Swiss and German shows with this project in late November, so keep an eye out.

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Keep an eye out at the end of May for more dates with Valerie Kuehne and the Wasps Nests, a reunion show in June with Food Will Win the War at The Knitting Factory opening for Ha Ha Tonka, then in July a new installation by thingNY celebrating our tenth anniversary. We’re collecting material from a decade of archival recordings for an interactive electronic piece at Harvestworks, sponsored by New Music USA. Plus I’m playing another show that month at Rockwood Music Hall with folk rocker Bill Steely. And there’s more cooking, so stay tuned!

Finally, check out this interview I did with fellow LUCERNE FESTIVAL ALUMNI in Third Coast Percussion about their GRAMMY win!
Jeff

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First off, if you live in Wichita, Oklahoma City, Dallas, Houston, Austin, San Antonio, El Paso, Tucson, Phoenix, San Diego, Tijuana, LA, Oakland, Bakersfield, Las Vegas, Flagstaff, Albuquerque, Denver, Omaha, Des Moines, Chicago, Toledo, Pittsburgh, or Brooklyn, we are headed your way, so please check details on the shows page!

Second, some things on the tour I’m particularly excited about: I’m stoked that we’ll be playing a show every day we’re on the road! I’m looking forward to smashing a Trump piñata tomorrow on Inauguration Day at our show in Wichita. I’m looking forward to playing for the second year in a row on the 10-hour Oh My Ears music marathon in Phoenix. It’s my first time playing in Kansas City, Wichita, Oklahoma City, San Antonio, El Paso, Bakersfield, Las Vegas, Albuquerque, Denver, Omaha, or Des Moines, or for that matter anywhere in the states of Kansas, Nebraska, and Iowa, so that’s cool. I’m looking forward to seeing a lot of old friends! And finally, I booked the majority of these shows myself, so I’m excited about meeting all the people I’ve been talking to for months but haven’t met yet!

That’s all for now, it’s time to sleep! Big day in Wichita tomorrow. Keep an eye out down the line for another show with Bill Steely at Rockwood Music Hall in New York and a new project with thingNY at Harvestworks – more on that soon.

Turtle sex,
Jeff

Hope you’re all hanging in there and standing up for what you believe in. If you have time, I have a few shows this week I hope you’ll check out! Today (Monday) thingNY is performing an excerpt from our opera This Takes Place Close By, on Wednesday I’m playing at Brooklyn Bazaar with Goldenchild, and Friday and Saturday, I’m playing my own music for solo violin and laptop at a Guerilla Science event, including a new piece I wrote for the occasion! Later in December, I have more gigs in New York, then in January and February a huge tour with Valerie Kuehne and the Wasps Nests. Read on for more.

Playing with The World/Inferno Friendship Society at Hallowmas last month at the Warsaw. Photo by Ben Rodri.

Tonight at 6:30pm at The Segal Center, the six members of thingNY will perform “At Our Best,” the opening 10-minute segment of our opera This Takes Place Close By. We’ll play right at the start of the program, launching a panel discussion on contemporary opera with Ashley Tata, who directed the premiere run of This Takes Place Close By last year, Jecca Barry (General Manager, Beth Morrison Projects), Lisa Bielawa (Composer/Executive Producer), M. Lamar (Composer/Performer), Aaron Siegel (Composer/Producer, Experiments in Opera), and Kristin Marting (Co-producer, PROTOTYPE and Artistic Director, HERE Arts Center). They’ll be presenting their works and discussing the radically changing landscape of the field. It’s free and should offer cool insights into a dynamic art form, so check it out!

On Wednesday, I’ll join indie country band Goldenchild to play the new location of Brooklyn Bazaar in the heart of Greenpoint. We’ll play at 9pm, in between Phil Pickens at 8pm and The Hollows at 10pm. Our music will be fun and light, come listen!

Friday and Saturday, I’m very excited to be presenting a brand new piece I’ve created for solo violin and live electronics, as well as my older piece Jeffrey Young’s Magical Kingdom of Dust and some improvisations. I’ll be performing throughout the 8-9pm cocktail hour at Decadent Decay, an experimental banquet hosted by Guerilla Science at Bat Haus in Bushwick. After the cocktail hour comes a 5-course meal and drinks prepared by Guerilla Science’s culinary partner, Methods and Madness, as well as talks by three scientists each night. Every element of the event, including my music, will draw from the overarching theme of decay, and all food and drink is included in the ticket price. It should be a fascinating evening, and it’s not often that I create new solo work, so please come out!
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Later in December, I’m playing a cantorial recital at Hebrew Union College and an orchestra concert/church service at St. Mark’s United Methodist Church. Come if the faith calls – or just for some nice music. I’ll also be playing my first show in a while with pop singer Minnie Dee and her band at The Bitter End on December 15. Should be a fun and fabulous time.

Then in mid-January, I embark with Valerie Kuehne and the Wasps Nests (Valerie on cello and vocals, me on violin, and Alex Cohen on drums) on a massive tour from New York to Tijuana and back, with shows planned daily for four weeks. Some of the shows are still coming together, but the majority have been confirmed. Check them out on the shows page, and I’ll update you closer to our departure date.

Finally, looking for a unique present this holiday season? Why not get a limited edition vinyl copy of thingNY’s new album, which comes with gorgeously engraved scores of 10 compositions on the album. Or get it as a CD or digital download…

Think outside the box – build half a house,
Jeff